Case Study Part Two. Ceirra Knight. Mha 624 Continuous

Case Study Part Two Ceirra Knight MHA 624: Continuous Quality Improvements Risk Management Instructor: Rhonda Hatfield May 2, 2017 From the perspective of a health care administrator, I will identify, develop, and discuss strategic issues in planning a model by prioritizing issues facing a community when dealing with a natural disaster using the four MAPP assessments that align with the shared community mission. Lastly, I explain how you would promote collaborations among clinical professionals, explain methods that encourage physician leadership in patient care enhancement, and explain quality initiatives that reduce organizational risk and support patient safety. When faced with a natural disaster and having to†¦show more content†¦R., Wilson, S., Brock-Martin, A., Glover, S., Svendsen, E. R., 2010). The assets that can be used to improve community health are town hall meetings, community advertisements, and community sponsored events. Next on the MAPP four assessments is Local Public Health System Assessment. Local Public Health System Assessment focuses on all of the organizations and entities that contribute to the public s health. The LPHSA answers the questions: What are the components, activities, competencies, and capacities of our local public health system? and How are the Essential Services being provided to our community?(NACCHO, 2017). Any organization or entity that contributes to the health or well-being of a community is considered part of the public health system. Ideally, a group that is broadly representative of these public health system partners will participate in the assessment process. By sharing their diverse perspectives, all participants will gain a better understanding of each organization’s contributions, the interconnectedness of activities, and how the public health system can be strengthened (National Public Health Performance Standards Program, 2017). Essentials services should be provided to the community through community outreach programs. Community outreach programs provide the community with many informational resources not just in the aspect of healthcare alone but the overall well-being of

The Country Of Immigrants Rescuing Syrian Refugees

The Country of Immigrants: Rescuing Syrian Refugees A refugee is defined as â€Å"someone who has been forced to leave a country because of war or for religious or political reasons† in the Merriam-Webster online dictionary (n.d.). Millions of people have been escaping the Islamic State and the Assad government since the beginning of the Syrian Civil War. They have been searching for asylum in European countries (U.S. Citizenship and Immigration Services, 2015), such as Germany, Turkey, and elsewhere. President Obama has recently decided to resettle at least 10,000 Syrian refugees in the United States within the next year (The White House, 2015). In March of 2011, BBC News reported that Syrian authorities arrested and tortured teenagers for vandalising a school wall with revolutionary propaganda, which soon led to pro-democracy protests. These protests were interrupted by security forces that opened fire on the protesters and killed several. Soon the political unrest trig gered demands for President Assad’s resignation. The government used force to stop the protests, but this only ensured more anger from the demonstrators. This was the beginning of the brutal war that is still occurring today. The violence escalated tremendously and has caused over 250,000 deaths as of August 2015 (Asare, Gritten, Offer, Rodgers, 2015). Asare et al. (2015) reports that his number includes the deaths of more than 6000 civilians killed by barrel bombs alone. The battle is no longerShow MoreRelatedThe Federal Skilled Trades Program860 Words   |  4 Pagesoffers multiple programs for the purpose of aiding refugees and giving them a fresh start, a lot of employers complained about the shortage of labor. However, whether or not the reported labor shortage was factual or not can be disputed to this day. In fact, employer groups reported difficulties when it came to hiring worker that were suitable, while substantial wage increases, unemployed workers, and job vacancies with both refugees and immigrants were discrepancies that were scarcely documented.Read MoreThe Solutions Of The 2015 Rohingya Crisis1244 Words   |  5 Pagescommunity regarding their desperate need for aid. In fact, Thailand, Malaysia and Indonesia have pushed back incoming Rohingyan refugee boats, while no country has offered widespread asylum (as Germany has done with regards to the Syrian humanitarian crisis). In this essay, I will argue that Singapore should do all that it can to rescue these refugees from their boats (without regards to offering them citizenship) - this is to save them from the immediate threat of drowning. In arguing for this, I willRead MoreThe Syrian Refugee Crisis And The Middle East2015 Words   |  9 Pagespolitical leaders taking different stands and positions on the Syrian refugee crisis and displacement in the Middle East. According to Webster’s dictionary, the definition of displacement is â€Å"to force (people or animals) to l eave the area where they live†. More recently, the voices of today’s officials have been heard saying things like, keep immigrants out we need to keep potential terrorist away, keep our country safe, and stop immigrants from using America’s resources. Each one of these argumentsRead MoreThe Book Thief Opens The Story With The Idea Of Death2027 Words   |  9 PagesSimilarly in history today, Syria is undergoing a Civil War against their weak government and the Islamic State and to public knowledge it seems apparent Syria is losing. People are abandoning their country for their safety and much opposition to fleeing to safe countries in the US and several other countries has lead for humanity to turn ugly for we should be worrying about their safety rather than potential threats to the economy. Such an example can be seen as the ugly in how people react to nationalRead MoreThe Civil Society Discourse1961 Words   |  8 Pageson saving lives, not barring entry to the EU.† Human Rights Watch underlines the fact that rescuing human lives at sea has to be in accordance with the fundamental human rights such as the right to seek asylum. However, the gaps in the asylum policy and the poor conditions of reception of refugees make urgent the need of a convergence between the countries of EU as regards the way they confront the refugees and migrants. October 3, 2013, in Lampedusa, an Italian island, 360 people died when their

Music Class Under The Instruction And Supervision Of Mr....

We learned several things in Music class under the instruction and supervision of Mr. Gonzales. We started in a timeline beginning at the very first instrument ever, the heart. The heart was the very first â€Å"beat† and clave was formed based on this â€Å"beat†. Clave is the foundation of almost every Latin song and most songs found around the world. Developed in Africa as one the earliest beats, clave was played on one of the first instruments, the Bongo drums. All drums are based after this drum which is still widely used in Africa for celebrations among tribes. The Bongo drums were made, originally, from wood and cowhide. Another ancient instrument was the Timbales (drums) which were made of brass and cow hide. Drums, now, are made of†¦show more content†¦The gong is another percussion instrument that is a type of cymbal and is untuned. Maracas are also a percussion instruments because sound is made by shaking them and are untuned, as well. The voice can also be a percussion through beat-boxing, making noise that resembles that of drums and other instruments. There are also many string instruments. The Clavichord instrument is one of the oldest string instruments and is only capable of producing a small sound. The ones used, mainly, in an orchestra are as follow: Violin (fiddle), Viola, Cello, and the Double Bass. A violin can also be called a fiddle as it is usually called in folk music. The viola is a fretless instrument and, thus, harder to play. Other popular string instruments are the acoustic guitar whose origin dates back thousands of years in Greek, Sanskrit, and Arabic cultures. Some examples of guitar-like instruments are the Dotar (two strings), the Setar (three strings), the Qithara (four strings), the Panchtar (five strings), and the Tamber, which is the ancestor of the modern day guitar. Acoustic instruments don’t generally have a need for amplification and is not electric. The very first guitars consisted of six strings. Antonio Torres’ new construction music paved the way for modern day guitars. Strings on guitars can, either, be made of steel or nylon. Steel strings are louder and more durable than nylon, and are also more

Charles Busch some kind of diva Essay Example For Students

Charles Busch: some kind of diva Essay Innocence isnt something youd expect to be thinking about if you were to find yourself sitting amidst the opulent fin-desiecle passementerie that fills the sitting room of New Yorks best-loved theatrical drag performer, chatting about his recent experience playing the female lead in The Maids, Jean Genets transvestite drama of madness, envy and murder. Yet theres something disarmingly unguarded, something waiflike, about Charles Busch. At first, it takes you by surprise. When youve seen him sprawled across the velvet throws that cover a sofa in his Greenwich Village apartment, though, it gets easier to sense in the adult Busch a lithe, slight figure with corn-fed looks and a precocious adolescents rapidfire delivery a ghost of the awestruck eight-year-old who was taken by his father to the old Metropolitan Opera house to see Joan Sutherland perform. The theatre itself, the gilt on the ceiling Id never seen anything more fantastic, Busch recalls some 30 years later. And then there she was, with this red hair and this pale green dress. Just huge. He pauses. Ive been recreating that ever since. Outline1 Fiendish cross-fertilization  2 Stolen hairstyles  3 Mistresses of melodrama   Fiendish cross-fertilization   As anyone whos been keeping up with Off-Broadway theatre for the past decade or so knows, those re-creations have taken the form of the benzedrinelaced send-ups of Hollywood and Broadway leading-lady vehicles that have made Busch famous. In them, you sense that precocious child at work. Like fiendish theatrical cross-fertilizations dreamt up by some star-struck high school chemistry whiz, the vehicles that Busch has created for himself are gleefully loony hybrids. They remind you of the screenplays being pitched by those desperate writers the beginning of Robert Altmans The Player. Buschs The Lady in Question? Its Watch on the Rhine meets The Sound of Music. Psycho Beach Party? Try Gidget meets The Three Faces of Eve meets Mommie Dearest. Yet if the mere titles of drag parodies like Vampire Lesbians of Sodom or Theodora, She-Bitch of Byzantium (not to mention Buschs recent first novel, Whores of Lost Atlantis) hint at preoccupations that are anything but kid stuff, Buschs over-the-top sensibility is clearly part of a coherent artistic vision that stems from his indelible first impression of the theatre. Now, that vision is taking Busch ever further from the satiric vehicles that made his reputation. Projects like The Maids demonstrate the actor-playwrights growing willingness to explore new theatrical avenues, as he examines all of the possibilities not merely the comic inherent in drag. The memory of that first trip to the opera evidently lingered in Buschs creative imagination. The leading role in nearly all of his plays is, in fact, some kind of diva: a movie queen, a concert pianist, a cabaret chanteuse. As a result, each performance, no matter how hilarious the particulars, is ultimately about performance. Even if Busch didnt tell you that the Pirandellian notion he had in mind when he first started writing roles for himself was that hed be just this grande dame actress appearing in a play that she didnt quite approve of, itd be hard not to sense in the artful staginess of Buschs performances that he was playing an actress whos playing well, whatever. Stolen hairstyles   The thing that allows Busch to get away with this metatheatrical conceit (Busch has appropriated the term from a recent NYU dissertation about his plays, and he uses it with the proprietary pleasure you associate with the owners of new appliances) is his remarkably thorough knowledge of film and theatre history, coupled with an uncanny knack for verbal and visual mimicry. Busch recalls being accosted by one fan who, he says, recognized every hairstyle in Lady in Question and what movie I stole it from. And, he adds with a yelp, he was right! That almost scholarly attention to detail and insistence on authenticity are what make his own parodies more than what he dismissively refers to as spoofs of spoofs of spoofs. .u582b2ebb782ea67e36dbd86046d0c73d , .u582b2ebb782ea67e36dbd86046d0c73d .postImageUrl , .u582b2ebb782ea67e36dbd86046d0c73d .centered-text-area { min-height: 80px; position: relative; } .u582b2ebb782ea67e36dbd86046d0c73d , .u582b2ebb782ea67e36dbd86046d0c73d:hover , .u582b2ebb782ea67e36dbd86046d0c73d:visited , .u582b2ebb782ea67e36dbd86046d0c73d:active { border:0!important; } .u582b2ebb782ea67e36dbd86046d0c73d .clearfix:after { content: ""; display: table; clear: both; } .u582b2ebb782ea67e36dbd86046d0c73d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u582b2ebb782ea67e36dbd86046d0c73d:active , .u582b2ebb782ea67e36dbd86046d0c73d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u582b2ebb782ea67e36dbd86046d0c73d .centered-text-area { width: 100%; position: relative ; } .u582b2ebb782ea67e36dbd86046d0c73d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u582b2ebb782ea67e36dbd86046d0c73d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u582b2ebb782ea67e36dbd86046d0c73d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u582b2ebb782ea67e36dbd86046d0c73d:hover .ctaButton { background-color: #34495E!important; } .u582b2ebb782ea67e36dbd86046d0c73d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u582b2ebb782ea67e36dbd86046d0c73d .u582b2ebb782ea67e36dbd86046d0c73d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u582b2ebb782ea67e36dbd86046d0c73d:after { content: ""; display: block; clear: both; } READ: Don't tell mother EssayThe fun, Busch goes on, is in getting the tone exactly rightmaking it seamless. And indeed, the 40s and 50s actresses who play Buschs leads are eerily familiaryou sometimes have to remind yourself that youre watching a takeoff, rather than some forgotten Stanwyck vehicle. When Irish OFlanagan, the hard-boiled nightclub singer who gets a Wonderful Life-esque chance at redemption in Times Square Angel, grits her teeth and talks about menthe shelf-life of a dames good looks is shortah than a can of chili, she growlsyou can practically count how many times shes been around the block. For Busch, theres nothing wrong with blurring the line between parody and straight performance. Even within a parody play, he observes, there are so many things you can do. You can have moments of tenderness; you can have moments of romance; you can have genuine suspense. Why waste that going for a vulgar laugh? Easy laughs are something Busch himself has increasingly avoided. He was especially pleased with Lady, a melodramatic thriller to which some audiences reacted with real emotion. And in Red Scare on Sunset, he gave his 50s-movie-queen heroine Mary Dale and her best gal-pal, radio hostess Pat Pilford, a moral ambiguity some found disturbing. (The play ends with Mary naming names to Congress, after a brush with conniving commies who were as bad as their right-wing adversaries.) Busch dismisses as humorless those who found Red Scare to be anti-left. Indeed, his P.C. critics seem to have missed the fact that, typically for Busch, Red Scare is preoccupied more with the theatre and its conventions than it is with politics. Im not a political satirist at all, Busch readily admits. Its not my sense of humor. Its no accident that the front used by the evil reds is a Method workshopa device that allows Busch to take regular swipes at the thespian pretensions that threaten his own more 19th-cent ury aesthetic. I cant wait to roll up my sleeves and go to work, cries one of Red Scares Brandowannabes. I have so many demons needing to be released! Mistresses of melodrama   One of Buschs own demons is a gnawing sense that grinding out spoofs of the silver screen wont satisfy him forever. That fear of artistic emptiness is what led him to Genet. Director David Esbjornsons vision of The Maids as a contemporary fantasy of homeless people, drug addicts and pimps, is a far cry from the crinolines and divans that clutter Buschs own dramas. But Busch wanted the challenge of something new. Thats why, when offered his pick of Genets three leads in the production at New Yorks Classic Stage Company, he settled on Solange the harder, more grounded of the two maids. He wanted to experiment with paring down his usual gestures (the body language of the diva) to suit Solanges proportions. I didnt want to do the grande dame sort of thing, he says, when asked why he didnt choose to play either the flashy Madame or the delusional Claire, Genets answer to Blanche DuBois. Busch is disarmingly frank when describing what he felt were his shortcomings at the beginning of the Genet run. The experiment with naturalistic acting, he ventures, may have gone a bit too much against his Bernhardtesque grain. It was not my old self, he says flatly. As a result, he found himself during rehearsals doing weird, self-conscious things, like breaking up his lines in mid-sentence. (Sandy Dennis-ish, he quips, without the fun.) Busch didnt begin to feel that he had a handle on Solange until he finally followed Esbjornsons advice to do what he does best that is, to get metatheatricalto be Glenda Jackson; be Faye Dunaway as Solange, as Esbjornson would urge him. .u0e58fd6985ca736cc462511499fe3c23 , .u0e58fd6985ca736cc462511499fe3c23 .postImageUrl , .u0e58fd6985ca736cc462511499fe3c23 .centered-text-area { min-height: 80px; position: relative; } .u0e58fd6985ca736cc462511499fe3c23 , .u0e58fd6985ca736cc462511499fe3c23:hover , .u0e58fd6985ca736cc462511499fe3c23:visited , .u0e58fd6985ca736cc462511499fe3c23:active { border:0!important; } .u0e58fd6985ca736cc462511499fe3c23 .clearfix:after { content: ""; display: table; clear: both; } .u0e58fd6985ca736cc462511499fe3c23 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u0e58fd6985ca736cc462511499fe3c23:active , .u0e58fd6985ca736cc462511499fe3c23:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u0e58fd6985ca736cc462511499fe3c23 .centered-text-area { width: 100%; position: relative ; } .u0e58fd6985ca736cc462511499fe3c23 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u0e58fd6985ca736cc462511499fe3c23 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u0e58fd6985ca736cc462511499fe3c23 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u0e58fd6985ca736cc462511499fe3c23:hover .ctaButton { background-color: #34495E!important; } .u0e58fd6985ca736cc462511499fe3c23 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u0e58fd6985ca736cc462511499fe3c23 .u0e58fd6985ca736cc462511499fe3c23-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u0e58fd6985ca736cc462511499fe3c23:after { content: ""; display: block; clear: both; } READ: Oliver Twist - Board Scene EssayThe Maids run sharpened Buschs sense that his strong suit is for the larger-than-life roles suited to his modelsmistresses of melodrama like Bernhardt, a special favorite. In the future, he says, its unlikely that hell essay any role in which he feels obliged to be all tense and small. Joan Sutherland, after all, stands nearly six feet tall.